Click on images below to reveal enlargement and specifications.
The following include multiple options & features with life time warranty.
|
|
101E
Moravian Sconce
Detail in form originates from Architectural arched entry ways and window frames typical to private and commercial structures in the 18th century community of Old Salem, located in Winston-Salem, North Carolina.
|
|
1012E-X1-C1
Modified Moravian Sconce
Same features as above though modifed to accomdate narrow hallways or doorways.
|
|
102E
Butterfly Sconce
Sculpted and formed crown is thought to have originated by the 1st Moravian Tin smith of Old Salem or Gottlieb Shober circa 1700's. When observed as originally illuminated by flame, the flicker of flame created the effect of a floating butterfly.
|
|
103E
Tulip Sconce
Thought to have originated by way of Dutch colonial origin. Pattern was in circulation widely in the Northern colonies during the 1700's.
|
|
104E
Shaker Sconce
Pattern source is from the Andrews Collection of the Hancock Shaker village in Massachusetts. By the simplistic lines and utility, a common variety observed in many northern colonies during the late 18th and early 19th centuries.
|
|
114EC2
Shaker Narrow Double
A variation in original Shaker type to accommodate narrow passage ways and doorways with increased illumination.
|
|
115EC3
Shaker Triple Perforated
Wall plates for many original sconces would have been perforated with a family crest or motiff, and custom options are available to accomodate a grouping, matching motiff and custom alloy finish color.
|
|
115BEC3
Shaker Triple Narrow
Variation designed in this type includes increased illumination less perforation art as observed in the above. Ideal when defined for the proper room geometry and grouping.
|
|
1051E-C1
Round Sconce
Widely observed style typically aside mirror glass, or vanity applications. Simplicity and beauty best define this common pattern during the 18th century.
|
|
1051E-M-C1
Bethania Mirror Sconce
Although common during the 18th and 19th centuries to observe mirror glass in sconces, this pattern was discovered as an archive and said to have adorned period homes in Bethania, North Carolina.
|
|
106E
Oval Sconce
A typical pattern thought to have originated from England, and subsequently observed in many colonial properties. The curvature of reflector was to present a focal light with deflection of draft.
|
|
106E-C2
Oval Dual Sconce
Tandem side-to-side candles during the period in same pattern would be typical, though limited on draft conditions. Necessity for increased decorative illumination is always welcomed based on site requirements, thus multiples should be photometrically balanced based on site requirements correctly.
|
|
107E
Confederate Oval Sconce
A common southern style of sconce thought to have originated in the Shenandoah Valley of Virginia. Pattern would have consisted of one to three candles during period.
|
|
108E
Pineapple Sconce
This pattern a declared welcoming symbol for seafarers would adorn walls at entranceways to private homes and taverns in coastal colonial towns.
|
|
120E
Period Salem Sconce
A Moravian pattern from the MESDA collection, said to adorn a Childs bedroom. Typically the Childs name was perforated on the crown of this sconce and located at headboard wall facing out.
|
|
120GE
Modified Salem Sconce
An adjusted rendition of Salem style sconce to accommodate tighter limits to vertical wall height dimensions.
|
|
VSTNE-100
NE Bethania Designer Mirror Sconce
|
|
VSTNE-101M-LT1
Arched Medium Continental Mirrored
|
|
VSTNE-103
Scalloped Crown Sconce
|
|
VSTNE-104
NE Shaker Sconce
|
|
VSTNE-105
NE Shaker Round Inset Sconce
|
|
VSTNE-108
NE Tulip Sconce
|
|
VSTNE-109-LT2
NE Shaker Narrow Dual Candle Sconce
|
|
VSTNE-110
NE Geom Scallop
|
|
VSTNE-114
NE Floral Round with thin roll turning
|
|
VSTNE-115G
NE Crystal Chimney Sconce
|
|
VSTNE-119
NE Single Goose Arm Sconce
|
|
VSTNE-126
NE Finial Crown Continental Mirrored. Optional antique mirror available, traditional included.
|
|
VSTNE-129-LT2
NE Dual Goose Arm Sconce
|